Moral Ambiguity

Notes on the Craft of Fiction

Fantasy Mindscape:
Breathing Life into Characters Through Psychology

12.  Moral Ambiguity

Moral ambiguity serves as an intriguing narrative tool, infusing stories with complexity that can make them more engaging and provocative. It defies the black-and-white moral absolutism that we often see in traditional good versus evil stories. While there’s something undeniably satisfying about seeing a straightforward hero vanquish a pure villain, this dichotomy can sometimes feel too simplistic to resonate on a deeper level. 

By introducing characters who blur the lines between good and evil, who act out of mixed motives or challenging ethical stances, a writer challenges readers to engage with more complicated ethical or philosophical questions. It elevates the story from mere escapism to a probing examination of human nature and morality.

Characters that defy easy categorization as good or evil often leave a lasting impression, precisely because they reflect the intricate, multi-faceted nature of real human beings. Take Walter White from “Breaking Bad” or Severus Snape from the “Harry Potter” series as examples; their moral complexity makes them unforgettable. 

They aren’t just villains or heroes; they’re deeply flawed individuals striving for something they consider important, even if it leads them down a path of questionable choices. They’re compelling because they force us to ask ourselves what we might do in their shoes, and they bring up uncomfortable truths about the ethical compromises people are willing to make under certain circumstances.

The introduction of moral ambiguity into a story also enriches the narrative texture and enhances its thematic depth. It can serve as a catalyst for ethical debates among your characters, or between the reader and the text itself. What is the right thing to do when there’s no good option? Can a bad act be justified if it leads to a greater good? 

These are the sorts of questions that can turn a story into a much larger discussion, transcending the confines of the plot and delving into philosophical or societal issues. For instance, George R.R. Martin’s “A Song of Ice and Fire” series frequently pits characters in situations where every choice carries immense ethical weight, thus mirroring real-world complexities and offering no easy answers.

Moral ambiguity can also serve as a tool for character development. As characters grapple with complex moral dilemmas, they’re often forced to evolve, giving readers insight into their internal struggles. This can be particularly effective for creating character arcs that are satisfying yet unpredictable. Characters may start off with a clear moral compass, but as they navigate a labyrinth of ethical gray areas, they may either strengthen their original convictions or adopt a more nuanced worldview. In either case, their internal moral journey becomes a crucial part of the overall narrative.

In conclusion, moral ambiguity can add a layer of richness and depth to storytelling that resonates with readers on a visceral level. Characters who occupy this morally grey space offer a more realistic reflection of the complexities of human nature, providing fertile ground for narrative tension, ethical debate, and character development. By incorporating these elements into storytelling, writers can elevate their work, creating not just a compelling story but also a nuanced exploration of the human condition.

Psychological Bases for Moral Ambiguity

Cognitive dissonance, a theory popularized by psychologist Leon Festinger, offers a captivating narrative tool for understanding why characters may hold conflicting beliefs or take actions that contradict their stated morals. The theory posits that individuals experience mental discomfort when they hold two or more contradictory beliefs, values, or attitudes, especially in relation to their actions. 

The discomfort often drives people to resolve the inconsistency, either by changing their beliefs or rationalizing their actions. Writers can leverage this psychological complexity to create multi-dimensional characters who are not only relatable but also inherently unpredictable. Imagine a devout cleric who finds himself committing acts contrary to his faith for the greater good. The cognitive dissonance he experiences can add layers of tension and internal conflict to the story, making for a character arc filled with growth, self-discovery, or even tragic downfall.

Moral relativism, on the other hand, opens another avenue for storytelling depth by positing that moral principles are not absolute but vary depending on cultural, social, or personal circumstances. This concept perfectly aligns with morally ambiguous characters, as it allows for the fluidity of ethical standards. A character may act in a way deemed immoral by their society, but from another perspective or within another context, the same action could be seen as righteous. 

This narrative device can facilitate a deeper understanding of the world in which the story is set, as well as the beliefs and values that govern the characters within that world. George R.R. Martin’s “A Song of Ice and Fire” series, for example, showcases moral relativism brilliantly, with characters making choices that seem both virtuous and villainous depending on one’s viewpoint.

Combining cognitive dissonance and moral relativism can result in an explosively rich narrative environment. Imagine a scenario where a character has to choose between saving a loved one or obeying a deeply held moral code. The cognitive dissonance experienced can be palpable, with the character wrestling with conflicting emotions and principles. Meanwhile, the moral relativism at play can encourage the reader to empathize with the character’s difficult decision, recognizing that ‘right’ and ‘wrong’ are not always clearly delineated but can shift based on various factors. This produces a story imbued with psychological and ethical layers, creating a more enriching experience for the reader.

Utilizing these psychological theories can also invite readers to explore their own beliefs and biases. When characters struggle with cognitive dissonance or act within a framework of moral relativism, it invites the reader to internalize these dilemmas. It can lead to a more interactive form of storytelling where the readers, much like the characters, are led to question, revise, or even fortify their own moral standings.

Cognitive dissonance and moral relativism serve as valuable frameworks for writers aiming to construct deeply flawed yet profoundly human characters. These psychological and ethical concepts contribute to narrative complexity, enrich character development, and elevate storytelling into an interactive exploration of morality and human psychology. Through their strategic implementation, writers can craft stories that not only entertain but also engage readers in intellectual and ethical contemplation.

Moral Ambiguity in Best-Selling Fiction

Gillian Flynn’s “Gone Girl” offers a masterclass in moral ambiguity, presenting protagonists who defy easy categorization into hero or villain. The novel invites the reader to become an active participant in the story, dissecting and analyzing the complex motivations of its characters, Nick and Amy. Their motivations are not painted in shades of pure black or white; instead, they exist in a nuanced grayscale that provokes a sense of unease, keeping the reader on edge. This ability to create characters who elicit conflicting feelings from the reader transforms the book into a psychological maze, sparking debates and introspections long after the last page has been turned.

Similarly, Cormac McCarthy’s “The Road” throws the characters—and the reader—into a post-apocalyptic world where the necessity of survival has upended the norms of morality. The characters’ morally questionable decisions bring forth an unsettling yet poignant question: What would you do to survive? This conflict draws readers into a visceral, almost participatory experience as they grapple with the limits of their own moral frameworks. By forcing characters to make ethically fraught decisions for the sake of survival, McCarthy makes it almost impossible for the reader to sit in simple judgment, adding psychological complexity to an already harrowing narrative.

When crafting morally ambiguous characters, it’s essential to imbue them with complex motivations that can be interpreted in multiple ways. Characters shouldn’t act solely out of altruism or malevolence; instead, their actions should stem from a medley of influences—be it love, fear, desperation, or duty. For instance, a character might betray a friend to protect their family, thereby adding layers of complexity and interpretability. This invites the audience to examine their own assumptions and beliefs, elevating the story from mere entertainment to a conduit for moral and psychological exploration.

Another key aspect is to let characters face the consequences of their actions, irrespective of their initial intentions. While it might be tempting to absolve a well-intentioned character from the repercussions of a bad decision, doing so simplifies the ethical landscape of your story. Characters who must confront the unintended outcomes of their actions, whether those are beneficial or disastrous, become morally complex figures who resonate more deeply with readers. For example, if a character lies to protect someone they love, but this lie leads to someone else’s suffering, that character must grapple with the unintended fallout, adding ethical density to their persona.

The art of crafting morally ambiguous characters lies in the nuances—complex motivations that defy easy explanation and consequences that force both characters and readers to reckon with their own moral compass. Both “Gone Girl” and “The Road” serve as compelling examples of how moral ambiguity can heighten the emotional and intellectual impact of a story. By intricately weaving these elements into your characters, you can create a narrative that not only entertains but also challenges, leaving a lasting impression on your audience.

Crafting Morally Ambiguous Characters

The first crucial element in crafting morally ambiguous characters is to give them complex motivations. Instead of one-dimensional drives such as sheer greed or unblemished altruism, consider motivations that are multifaceted and open to interpretation. For example, a character might be driven to succeed professionally not just for personal gain, but also to provide for their family, or perhaps to prove something to themselves. This nuanced approach to character motivation invites the reader to engage more deeply with the story, allowing them to see parts of themselves or people they know in these characters. The key is to make motivations relatable but complicated, realistic but not easily categorized as purely ‘good’ or ‘bad.’ This complex web of motivations creates characters that are not just believable but also deeply intriguing, driving the plot forward as readers become invested in understanding these characters more fully.

Secondly, it’s vital that characters face the consequences of their actions, irrespective of what their initial intentions might have been. Moral complexity is not just about the choices characters make but also about how they deal with the fallout of those choices. For instance, if a character decides to lie in order to protect someone they care about, what happens when that lie unravels? Does it protect or endanger even more people? When characters are forced to confront the unforeseen outcomes—good or bad—of their decisions, they grow more intricate and compelling. The focus here is not just on what the characters decide to do, but also on how they adapt, react, or perhaps suffer from the outcomes of those actions.

Facing consequences often leads to what can be called a reckoning—a point in the story where characters have to reevaluate their beliefs, their self-image, and their future course of action. This reckoning adds yet another layer of complexity to their moral fabric. For example, a character who never considered themselves capable of violence may be forced to confront this darker aspect of their personality after acting in self-defense. What does this mean for their self-concept? Are they consumed by guilt, or do they rationalize it as a necessary evil? This period of reckoning can be a goldmine for character development, revealing hidden facets of their personality that even they were not aware of.

Moreover, these two elements—complex motivations and the facing of consequences—don’t just stand alone; they often interact in intricate ways to further deepen the character’s moral complexity. A character’s complex motivations can lead them to make decisions that have unintended consequences, forcing them into a reckoning that, in turn, might change or further complicate their motivations. This dynamic interplay keeps the audience engaged, as they follow the character through a winding journey of ethical dilemmas and personal revelations.

By imbuing your characters with complex motivations and letting them face the consequences of their actions, you set the stage for moral ambiguity that adds richness and depth to your storytelling. This nuanced approach to character development allows for greater audience engagement, inviting them not just to follow the story but also to grapple with its moral and ethical implications. Such characters are likely to be more memorable, provoke more thought, and perhaps even inspire conversations long after the book is closed or the screen goes dark.

Writing Exercises for Moral Ambiguity

Dilemma Scenarios: Put your character in a morally complicated situation and explore how they would navigate it.

Character Debates: Write dialogues where characters argue over a moral issue, each presenting compelling arguments for their stance.

By introducing morally ambiguous characters into your story, you not only make your narrative more compelling but also engage your readers in ethical dilemmas that linger long after the book is closed. Utilizing psychology, you can craft characters that are profoundly human in their complexity.

[ 11. Trauma and Character  | Contents13. Memory and Perception ]

Last Modified: 09/29/2023

 

Leave a Reply

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.